The Plays

by Philip Casey

Car­dinal

Barry Stevenston as the eponymous CardinalA one-acter, it was first per­formed in the Inter­na­tionale Schule in Ham­burg, and was there­after trans­ferred to the west end, oth­er­wise known as the Sham­rock Bar in Feldstr.

It was dir­ec­ted by the redoubt­able Terry McDon­agh and his then cohort in drama, Joachim “Joggi” Matschoss. Sta­ging it in the Inter­na­tionale Schule meant in effect that it had an inter­na­tional audience.

Car­dinal, which in a tower­ing per­form­ance was acted by Barry Steven­son in the eponym­ous role, and Guelma Lea as the Police­wo­man, is the story of a Car­dinal, an effect­ive pris­oner in his own palace dur­ing a revolu­tion, and guarded by an uneducated police­wo­man. Over a period of time, she learns a great deal from him, and being intel­li­gent, is soon a match for his pious cer­tain­ties, espe­cially when her pro­longed pres­ence intens­i­fies the needs of the flesh.

Note: Guelma Lea is now also an estab­lished jazz singer and her web­site is here

Par­ody of the Father

aka Sed­i­ment Rising
This actu­ally received a rehearsed read­ing on the Pea­cock stage of the Abbey Theatre, Dub­lin, in front of an invited audi­ence. It was dir­ec­ted by John O’Brien (apo­lo­gies to the act­ors for mis­lay­ing the cast list).
The read­ing in the Pea­cock was quite suc­cess­ful, but as it is a very visual play, more than half of it was lost in the read­ing. Requir­ing seven act­ors, (two of whom can double up), and one of whom must be a large, impos­ing yet ebul­li­ent man, it is a tragi-comic car­toon in two acts, on colo­ni­al­ism brought to its logical con­clu­sion.
I recently found a cast list, signed by all par­ti­cipants, headed

Read­ing of Sed­i­ment Rising, Pea­cock Theatre, April 221989

Lar­cus Vin­cent O’Neill

Sudari Niall O’Brien

Penelope Fidelma Cullen

Lujius Frank McCusker

Otera Cor­ne­lia Hayes

The Sybil Má¡ire O’Neill

Nar­rator Jonathan Sharpe

Dir­ector John O’Brien

ASM Miriam Coleman

Author Philip Casey

Thank you, people. It was a nice exper­i­ence, with fine actors.

Com­fort & Reward

This has never been staged, and in truth is a dead loss.

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