The Fabulists Screenplay

by Philip Casey

Fable Sinatra 7
The Fabulists is set in 199798.

TESS is sep­ar­ated but look­ing after her son ARTHUR, who lives with his father in Fair­view, on a daily basis before she returns to her apart­ment over­look­ing the Lif­fey in Dublin.

MUNGO still lives with his wife and two chil­dren — though she has frozen him out since he nearly killed them all by drunk­enly drop­ping a cigar­ette on his son’s bed and start­ing a fire.


cc photo credit: isful­lofcrap Cre­at­ive Com­mons license: some rights reserved.

Both are deeply attached to their children.

Thus their recent pasts are pain­ful, the hurt com­poun­ded by poverty, and they are reluct­ant to tell each other about their true selves. Over a cup of cof­fee in The Wind­ing Stair Book­shop & Café, Mungo, who reads travel books on Spain, hits on the solu­tion of telling a story, dis­guised as auto­bi­o­graphy, of a train jour­ney through the snow-covered Cent­ral Plateau.

Intrigued, on their next meet­ing TESS tells him in turn the fic­tional story of her life in Ber­lin, gleaned from let­ters from her friend MARIAN.

As the love affair pro­gresses, their stor­ies become more deeply rooted in their own lives and obsess­ively import­ant to them, form­ing a double nar­rat­ive and enabling them to con­front truths about themselves.

MUNGO moves to Wex­ford with his wife and fam­ily, and TESS becomes more inde­pend­ent, yet they still need each other to fin­ish the stor­ies. The film with TESS and MUNGO applaud­ing Pres­id­ent Robin­son as she passes in the Pres­id­en­tial Rolls Royce after her inauguration.

The Fabulists is adap­ted from the novel of the same name.

Casey’s main achieve­ment in The Fabulists lies in his skil­ful hand­ling of the ele­ments of fact and fantasy, real­ism and sur­real­ism that make up the novel. Fab­ulous, seduct­ive fic­tions are anchored in mundane real­it­ies and the com­pul­sion to invent is coun­ter­bal­anced by the oblig­a­tion to con­front the truth. His geo­graph­ic­ally centered, meta­phor­ic­ally open nar­rat­ive allows us to read Tess and Mungo’s jour­ney from immure­ment to free­dom as a par­able of a matur­ing Ire­land. The sub­tlety and ease with which Casey achieves such sym­metry between private and pub­lic worlds makes The Fabulists an assured and impress­ive debut.
–Liam Harte Irish Stud­ies Review (Bristol)

If you haven’t read The Fabulists, and I know there are still a few of you out there, it’s avail­able for free down­load under a Cre­at­ive Com­mons licence, or to read online, at its spe­cial sub­site, or if you want to pop over to The Irish Lit­er­ary Revival, which I cre­ated with poet Patrick Chap­man, it’s avail­able there, too, with works from Patrick and other Irish writers. Actu­ally, if you wish, you can also down­load my last book of poems fromthis site also. See links below.

The Fabulists at Philip Casey’s website

The Fabulists at Irish Lit­er­ary Revival

  • Share/Bookmark

8 Comments

  • Patrick says:

    Cool­ness, Philip. Look­ing for­ward to see­ing the movie!

  • PJ Nolan says:

    Hi Philip. I’m com­ing late to this par­tic­u­lar game — I just fin­ished read­ing The Fabulists online last week! Thanks for mak­ing it avail­able online. I enjoyed drop­ping into the world of Tess & Mungo. Brought back memor­ies of a Dub­lin that seems to have slipped dimen­sions in 2 decades.

    The asso­ci­ated decrease in second­hand book­shops in Dub­lin means that find­ing out of print Irish books is down to whether they show up in the lib­rary (where I just came across Mogue Doyle’s book ‘A Moth at the Glass’ or some other unex­pec­ted place. Which is why the lit­er­ary revival site is such a good idea, IMHO. I’ll be pop­ping over there shortly to check out your poems.

  • Philip says:

    Thanks for that, PJ. That means a lot. I think it’s being down­loaded quite a bit, but not so much feed­back, at least not in print. Glad you enjoyed it.

    Nice to dis­cover your very inter­est­ing blog. Will link as soon as I get a minute. I missed the Cronin/Toibin inter­view too — there were so many lit­er­ary events on last night, in my case the launch of Mickle Makes Muckle, by my Ger­man friend Michael Augustin (trans­lated by his wife Sujata Bhatt).

    Enjoy Irish Lit­er­ary Revival. There’s some nice stuff there and there’ll be more as soon as time allows.

  • William Wall says:

    Hi Philip,
    I’m begin­ning to think there should be a spe­cial kind of cul­ture award for the work you do here and on the other sites you main­tain (makes you sound like a developer I know). Any­way, I hope The Fabulists makes it to the screen. I’m just about to go explor­ing now (for the ump­teenth time) and expect that as usual I’ll find plenty to fas­cin­ate me on the links.
    All the best,
    William

  • William Wall says:

    One small point, as an old teacher of mine was inclined to say, the CELTX link doesn’t work. Nor does it work from the Wiki­pe­dia page. Is it dead or is it my Mac?

  • William Wall says:

    These sums can be quite hard… (9 and 5, for example has always been a blind spot for me).

    I even­tu­ally down­loaded CELTX, through a very round­about route. I emailed them and they solved the prob­lem. It looks really good. thanks for the tip.

  • Anne says:

    Philip, a stór, just now called up your page and like the wiz­ard … you enthrall as ever… it’s been years ( I think since I have browsed) and I love the new look page. Will get in touch soon I prom­ise (have ben hibern­at­ing for vari­ous reas­ons)
    Love and lots of hugs,
    Anne

  • I would say Theater. I would like to double major in Act­ing and Journ­al­ism, so we have sim­ilar careers. Good Luck!”

Leave a Reply

Your email address will not be published. Required fields are marked *

*

You may use these HTML tags and attributes: <a href="" title=""> <abbr title=""> <acronym title=""> <b> <blockquote cite=""> <cite> <code> <del datetime=""> <em> <i> <q cite=""> <strike> <strong>

Anti-Spam Protection by WP-SpamFree